Stories

 Three of the top-seven most-read posts on Onjalazbroz are 

fiction. The stories below are grounded in Kisumu and Nairobi — 

exploring how power, faith, economy, and relationships land on 

ordinary lives.


Onjalazbroz publishes fiction occasionally alongside its 

analytical work. The same mind that dissects colonial governance 

in the essays here turns to the human terrain where those forces 

meet daily life. The result is short fiction with a moral 

register: not propaganda, but observation.


Read in any order. If you read only one, read the first.


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1. Weed

Two brothers, Chwa and Bandia, sit outside their mother's house 

in Kisumu. Chwa wants to start smoking weed to escape despair. 

Bandia, already a smoker, explains: "Weed doesn't make you 

forget, brother. It just makes you not care that you remember." 

The story explores poverty, lost faith, and brotherhood as the 

only solace in a broken world.


The most-read fiction piece on this blog.


2. Human Beasts

Set in Nairobi. Ngala and his friend Obonyo discuss urban 

cruelty. Obonyo reveals his mother was killed during a 

grain-truck accident at Nyamasaria — looters stole maize instead 

of helping her, then stole her purse. The story explores 

capitalism's dehumanizing effects, concluding: "Animals kill to 

survive. Humans destroy just to prove we can."


3. Feedback

David, a financially struggling man, attends a job interview in 

Nairobi after making significant sacrifices to get there. He 

waits anxiously for feedback that never comes. His hope turns 

to despair while his family questions his chances. A story about 

unemployment, anxiety, prosperity gospel, and the cruelty of 

organizational silence.


4. A Letter to My Brothers

 letter from Moremore to his brothers on leaving his wife Tesa, 

whom he describes as emotionally abusive. The story argues that 

men are unfairly expected to endure emotional abuse silently, 

leading to depression and violence. A fiction engagement with 

the blog's distinctive male African critique of mainstream 

feminism.


5. The Measure of Woman

Joram judges three women — Essy, Conny, and Noor — against 

impossible standards of domestic perfection, reliability, and 

availability. Set in an office, the story critiques patriarchal 

expectations that measure women by narrow criteria rather than 

appreciating them as individuals. The narrative reveals the 

emotional toll of constant judgment.


6. The Substitution Crisis

A football friendly in Kisumu descends into conflict. Egos clash, 

substitutions are demanded, alliances fracture. A short story 

about how power dynamics land on ordinary people in community 

settings — even on a football pitch.


7. Change

A new authoritarian principal arrives at Thika School, Kisumu. 

Staff anxious. Ochieng, the protagonist, navigates the first day 

as the new principal threatens staff. A story about workplace 

authoritarianism, staff solidarity, and how institutional power 

lands on ordinary people.


8. The Visitor

David, 38, navigates water scarcity, transience, and obsessive 

discipline in Nairobi. A short story about survival, control, 

and the body under conditions of scarcity — the struggle to 

maintain control over body and environment amidst uncertainty.


9. Friendly Enemy

Kevin falls on hard times and moves to Nairobi, staying with his 

college friend Onyewu. Their nostalgic reunion fractures over 

minor differences, leading to abrupt eviction. A story about how 

friendship fails under economic pressure, the shifting power in 

dependency, and the painful recognition that friendship was 

superficial when tested by hardship.


10. Celibacy

Bravin chooses celibacy after disillusionment with modern 

relationships. A short story exploring traditional gender roles, 

the difficulties of maintaining modern relationships, and one 

man's withdrawal as a response to disillusionment.


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FICTION OCCASIONALLY. NOT DAILY.

Onjalazbroz is primarily an analytical blog. Fiction appears 

when the analytical register needs a human counterpoint — 

usually quarterly. If you want fiction in your inbox the moment 

it publishes, subscribe to the weekly newsletter →.

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